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Tuesday, December 09, 2008

My Insipid Record Collection - Grant Lee Buffalo


It's been a few days since my last confession and for that I apologize. It's the holiday season once again and things just seem to pile up on you. I'm sure you know the feeling. The other night I attended The Giant Panther's local DJ gig at 21 Nickels here in beautiful Watertown, Massachusetts. It's a local pub with no frills and the GP gets to play whatever he wants. There is no dance floor and half the time the crowd is completely ambivalent about what gets played, but the staff seems generally entertained when I'm around. Watertown is a tiny town, maybe four square miles if I remember correctly, and is located about eight miles outside of Boston. The bar itself is on a back street and could be construed as hard to find in some circles. Not many folks outside of the locals really even know where it is. Certainly nobody from Boston trucks out to Watertown just to go to this place. The clientele is, shall we say, diplomatically, slightly less than cosmopolitan. The good news is the owner and the bar manager are good people and they aren't afraid of a little volume. The GP does this gig for the beer, the food, the meager paycheck and for the love of playing music. I totally get it and sometimes I'm a little jealous I don't have a gig of my own these days. Then the thought of lugging all that equipment around snaps me back into reality. As previously noted I have a few years on The Giant Panther so I'm not as hungry I suppose. Still, I romanticize the idea of it.

The reason I mention this little tidbit is because I usually spend about two hours of his four hour shift just hanging around shooting the bull when I can. From time to time the GP will say things that illustrate some of the different perspectives we have about music from time to time. Of all the folks I know personally, The Giant Panther is probably the only one who loves music as much as I do. We are GIANT consumers of rock music in all its forms. Our collections are laughable because, truth be told, we could never ever listen to everything we own consistently even if we landed jobs as hit makers, as if such a job existed anymore. I just love that Tom Petty line in one of his songs called Into The Great Wide Open where he sings "their A&R man said I don't hear a single." I worked locally at a radio station called WBCN as a producer in the early 80's for four years and all seen or unseen payola legends aside I could never understand why some seemingly superior songs got never got any airplay while you could never get them to stop playing some really crappy ones. I'd like to believe I would have been great at getting a band's absolute best songs into the fore on any given record. I watched huge records like John Mellencamp's Uh-Huh, Cyndi Lauper's She's So Unusual and Bruce Springsteen's Born in The USA get four, five and even six of the songs from these records played for months on end. I love The Boss probably more than the next guy with my Jersey roots, but none of these records would be in my top 1000 all time. Yet there they were, ruling the day on major market radio right next to crossover artists like U2, Prince and, on other stations, Her Madgesty. Madonna though was her own genre in fairness. Still is for that matter.

The point I'm trying to make is that though The GP and I have our musical differences the thing that bonds us is our love of music. It does lead to some interesting discussions though. Recently The GP tabled the notion that the 90's were a waste musically. A whole decade! Meantime, he's been discovering great bands like The Stone Roses and conveniently forgetting when they surfaced. They had more hype than The Smiths in 1985. The GP was citing bands like The Gin Blossoms as case in point. I'll give him that much, though I did buy their record(s) at the time, but I began to stew on this notion. I wanted to find a 90's band that I felt very strongly about, but that maybe didn't really get the recognition they deserved. I had it in my mind they had to have at least ten great songs I would stand behind in order to make my point. Well, I've made my decision; let me reintroduce you to a totally overlooked and forgotten act called Grant Lee Buffalo.

Grant Lee Buffalo were indie rockers in their day. They slipped onto the scene with a CD called Fuzzy in 1993. The song Fuzzy was played on WFNX for about three months, but it would shock me to hear it on Julie Kramer's Daily Leftover Lunch show anymore. I love Julie as a DJ and I've been listening to her for decades, but the woman can't go two days without playing Depeche Mode, Duran Duran or Bob Marley (apparently he's the only reggae artist EVER. They used to play Ziggy Marley back in the day, but now? Forget it). I love those artists too, but it's amazing how this radio station just totally forgets scores of artists and doggedly hangs onto some others. One long time staple, The Pretenders, just put out a new CD called Break Up The Concrete. Julie had Chrissie Hynde on her show playing live recently. It was actually very funny; Hynde was trying to sing a song, Kid if memory serves, and could not stop laughing. She had a band member with her in the studio and the two of them were laughing so hard they had to stop playing that song and had to play another. That's very nice and all, but do you think WFNX would have one of the new Pretender's songs in their rotation? Even if just for a couple of weeks for fear of being labeled "Classic" (got forbid)? No dice. The funny thing is their songs are not seasoned enough to be played on the Classic Rock stations either. And you wonder why some records don't sell.

Where was I? Oh yeah. Grant Lee Buffalo. Let me give you ten songs to go download and love. Fuzzy, Jupiter and Teardrop, Dixie Drug Store, Stars 'n' Stripes, Lone Star Song, Mockingbirds, Homespun, Bethlehem Steel, The Hook and Truly, Truly. I'm sure I'm missing a couple, but that ought to get you started. Grant Lee Buffalo came and went inside of five years and I only got to see them live once warming up for R.E.M. around 1993. I remember Michael Stipe calling Fuzzy the best CD of the year hands down. I was already on the bandwagon, but he was preaching to the choir in my case. I was and remain a big fan. Jupiter and Teardrop, the song I'm leaving with you below, is a killer track for my money. I never get tired of listening to it. Grant Lee Phillips, the lead singer, went on to release several solo CDs, which all basically fizzled, but that doesn't challenge my affinity for these guys. I had visions of them hailing from Buffalo of course, so naturally they were from Los Angeles. I was sorry when they called it a day after Jubilee in 1998. For the uninitiated, the Storm Hymnal compilation (the artwork you see above) puts a nice bow on it for these guys, but I own all of their CDs. If you see a copy of Fuzzy in ANYONE's collection tip your hat. That person is way cool. Neil Young is thought to be one of their influences, but these guys shattered the mold when they surfaced. There really wasn't anyone like them at the time. They never hit the big time, but they hit my big time no questions asked. So there GP; a 90's artist that rocked. And I didn't even have to mention Sugar...oh shoot...

Grant Lee Buffalo - Jupiter and Teardrop.mp3

Grant Lee Buffalo - Jupiter and Teardrop.mp3 YSI

www.grantleebuffalo.com